Churchill Studio Prints Kintsugi Pearl Coupe Plate Grey 260mm (Pack of 12)
Product Description
The Churchill Studio Prints Kintsugi Pearl coupe plate is part of a collection that draws on the Japanese tradition of kintsugi — the art of repairing broken pottery with gold...
Specifications
- Colour
- White
- Material
- Super Vitrified
- Weight
- 728.3333333333334g
Downloads
Product Description
The Churchill Studio Prints Kintsugi Pearl coupe plate is part of a collection that draws on the Japanese tradition of kintsugi — the art of repairing broken pottery with gold to highlight rather than disguise the repair. Here, that concept is interpreted as a decorative crackle pattern applied underglaze, giving each plate a subtly reactive surface texture that means no two pieces look completely identical. The grey colourway gives the range a calm, contemporary feel that sits well against both light and dark table linen.
Manufactured in super vitrified china, these plates are built to withstand the demands of regular commercial use. Super vitrified ware is denser and more chip-resistant than standard porcelain, which matters in a busy restaurant or hotel environment where plates are handled, stacked, and passed through commercial glasswashers repeatedly throughout a service. The underglaze decoration provides an additional layer of protection, keeping the pattern intact even under sustained use and frequent machine washing.
Practically speaking, the coupe profile — no rim, with a gently curved edge — suits modern plating styles and works well for both starter and main courses depending on the portion size being served. The 260mm diameter is a versatile size, commonly used as a main course plate in casual dining and bistro settings, or as a sharing plate in more informal covers.
- Super vitrified construction for improved chip resistance in daily service
- Underglaze decoration protects the pattern through repeated machine washing
- Rimless coupe profile supports contemporary plating presentations
- Reactive crackle texture gives each piece individual character
- Sold in packs of 12, suited to building or topping up cover sets
This range is well suited to restaurants, boutique hotels, and café-dining operations looking for a tableware pattern with visual interest that doesn't overpower the food. If you're building a full cover set or want to discuss how the Kintsugi range fits alongside other Studio Prints patterns, the team is happy to help you think it through before you order.
Key Features
- Super vitrified china body with enhanced chip and crack resistance
- Underglaze crackle decoration protected beneath a durable glaze layer
- Rimless coupe profile at 260mm diameter for versatile plating use
- Reactive surface texture creates subtle variation across individual pieces
- Sold in packs of 12 for straightforward cover-set purchasing
Operational Benefits
- Withstands daily commercial handling and repeated machine washing reliably
- Underglaze finish retains pattern integrity through sustained high-volume service
- Coupe shape supports modern plating styles without restricting presentation options
- Consistent grey colourway coordinates easily across mixed tableware settings
- Pack-of-12 format simplifies stock management and cover-set top-ups
Specifications
- Colour
- White
- Material
- Super Vitrified
- Weight
- 728.3333333333334g
Downloads
Frequently Asked Questions
- Yes. Super vitrified china is manufactured to withstand the temperatures and detergents used in commercial glasswashers and dishwashers. The underglaze decoration adds a further protective layer, so the pattern is less vulnerable to fading or wear than surface-applied prints over time.
- At 260mm, this plate works well as a main course plate in casual dining, bistro, or café settings. It is a practical mid-size that suits generous starter portions equally well. If your operation requires a larger plate for fine dining mains or sharing formats, it is worth reviewing the wider Studio Prints range, which includes larger coupe options.
- The reactive glaze technique means there will be subtle variation in the crackle pattern between individual plates — this is intentional and reflects the kintsugi aesthetic the design is based on. In practice, the variation is subtle enough that plates read as a coherent set on the table rather than mismatched, though it is worth being aware of if your operation requires a very uniform look.