Churchill Studio Prints Kintsugi Pearl Coupe Plate Grey 286mm x12
Product Description
The Churchill Studio Prints Kintsugi Pearl coupe plate is part of a contemporary tableware collection that takes its inspiration from the Japanese art of kintsugi — the practice of repairing...
Specifications
- Colour
- White
- Material
- Super Vitrified
- Weight
- 893.3333333333334g
Downloads
Product Description
The Churchill Studio Prints Kintsugi Pearl coupe plate is part of a contemporary tableware collection that takes its inspiration from the Japanese art of kintsugi — the practice of repairing broken pottery with gold to celebrate imperfection. The result is a subtle, crackled surface pattern that gives each piece a reactive, artisanal quality, while the grey and pearl tones keep it firmly suited to modern restaurant and hospitality environments.
These plates are manufactured in super vitrified china, which is the standard choice for high-volume commercial service. Super vitrified ware is considerably more resistant to chipping and cracking than standard porcelain, and it holds up well under the repeated thermal cycling of a busy kitchen — pass-through dishwashers, plate warmers, and cold plating situations alike. The underglaze decoration method means the pattern sits beneath the glaze layer rather than on top of it, which protects the design from the abrasion that commercial use inevitably brings over time.
From an operational standpoint, the coupe profile — rimless or with a minimal rim — is a practical choice for contemporary plating styles. It gives chefs a clean canvas and handles well on the pass. The 286mm diameter suits main course and sharing presentations comfortably.
- Super vitrified construction supports daily commercial dishwasher use
- Underglaze decoration protects the pattern from wear over time
- Reactive crackle finish gives a handcrafted aesthetic without inconsistency in service
- Coupe profile suits modern plating and works cleanly on a busy pass
- Supplied in a pack of 12, practical for par stock management
This range is well suited to restaurants, hotel dining rooms, and catering operations where a considered, contemporary table aesthetic is part of the offer. It fits alongside other Studio Prints patterns if you are building a mixed-pattern table setting, which is a common approach with this collection. If your operation requires a more robust everyday plate at higher volume, there are plainer super vitrified options in the catalogue that may be worth considering alongside this range.
If you are putting together a full cover specification or want to check compatibility with your existing Churchill tableware, we are happy to help you work through the options before you place an order.
Key Features
- Super vitrified china construction for commercial durability and chip resistance
- Underglaze decoration process protects pattern integrity under heavy use
- Reactive crackled surface finish gives each piece a distinctive artisanal character
- 286mm coupe profile provides a clean canvas for contemporary plating
- Supplied in a pack of 12 for straightforward stock management
Operational Benefits
- Withstands repeated commercial dishwasher cycles without rapid pattern degradation
- Reduces replacement frequency compared with standard porcelain in busy operations
- Consistent aesthetic across covers despite the reactive, individual surface character
- Rimless coupe shape supports efficient plating and clean presentation on the pass
- Pack-of-12 format aligns with standard par stock and cover calculations
Specifications
- Colour
- White
- Material
- Super Vitrified
- Weight
- 893.3333333333334g
Downloads
Frequently Asked Questions
- Yes — super vitrified china is the standard specification for commercial tableware precisely because it withstands the thermal stress and mechanical handling of pass-through and rack dishwashers far better than standard porcelain. It is a practical choice for operations running multiple sittings daily.
- The Kintsugi design is applied underglaze, meaning the decoration sits beneath the protective glaze layer rather than on the surface. This significantly reduces the risk of the pattern wearing away through repeated washing or cutlery contact, which is an important consideration for any tableware in continuous service.
- Yes, and this is a common approach with the Studio Prints range. The collection is designed so that different patterns can be combined across courses or covers, which gives operators flexibility to build a varied table aesthetic without sourcing from multiple suppliers. If you are planning a mixed specification, it is worth checking that the glaze tones work together — we can advise on this if helpful.